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Brahms

Hungarian Dance no. 3

pcarmich

3:23	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone	13	0	1	5	99%
Tenor Saxophone	15	0	0	4	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone	13	1	5	99%
Tenor Saxophone	15	0	4	99%
Soprano Saxophone	19	4	8	87%
Alto Saxophone	24	6	8	82%

Brahms - Es ist ein 'Ros' entsprungen for Trombone Choir

MarshallTRogers

1:01	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Trombone	18	0	6	5	100%
Bass Trombone	15	0	1	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Trombone	18	6	5	100%
Bass Trombone	15	1	5	100%
Tenor Trombone I	16	4	4	100%
Tenor Trombone II	18	6	5	100%
Optional Tuba	14	2	4	77%

Brahms - Es ist ein 'Ros' entsprungen in C Major for Low Brass Choir

MarshallTRogers

1:01	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	18	0	6	5	100%
Tenor Trombone I	18	0	6	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	18	6	5	100%
Tenor Trombone I	18	6	5	100%
Tenor Trombone II	16	4	4	100%
Tuba	15	1	5	100%

Brahms Op. 122 - Es ist ein 'Ros' entsprugen for Tuba/Euphonium Ensemble

MarshallTRogers

2:35	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Euph I	18	0	6	5	100%
Euph II	16	0	4	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Euph I	18	6	5	100%
Euph II	16	4	4	100%
Tuba I	18	6	5	100%
Tuba II	15	1	5	100%

Geistliches Lied, Op. 30 Brahms - Tutti

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Geistliches Lied, Op. 30 Brahms - Soprani

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Marienlieder, Op.22 - 4. Der Jäger - Brahms

Jwagner

1:59	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	2	5	95%
Alto	9	0	4	4	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	2	5	95%
Alto	9	4	4	94%
Tenor	11	3	5	94%
Bass	11	1	4	92%

Marienlieder, Op.22 - 5. Ruf zur Maria - Brahms

Jwagner

3:39	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	0	5	3	100%
Bass	13	0	4	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	5	3	100%
Bass	13	4	3	100%
Soprano	11	1	5	100%
Tenor	15	7	3	100%

Geistliches Lied, Op. 30 Brahms - Basses

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
Bass	14	2	6	73%
Orgue	15	3	5	50%

Geistliches Lied, Op. 30 Brahms - Alti

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
Fl.	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Zu Rauch

matthius

0:22	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	12	0	1	2	100%
Bass	10	0	1	2	91%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	12	1	2	100%
Bass	10	1	2	91%
Alto	12	1	2	82%
Tenor	10	1	2	73%

Geistliches Lied, Op. 30 Brahms - Ténors

papisenior

4:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	0	1	4	82%
T	15	0	3	4	77%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S	11	1	4	82%
T	15	3	4	77%
A	13	2	5	75%
B	14	2	6	73%
Orgue	15	3	5	50%

Marienlieder, Op.22 - 3. Marias Wallfahrt - Brahms

Jwagner

1:48	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	4	5	100%
Bass I+II	12	1	1	5	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	4	5	100%
Bass I+II	12	1	1	5	100%
Soprano	12	0	2	5	100%
Tenor	15	0	4	5	100%

Marienlieder, Op.22 - 2. Marias Kirchgang - Brahms

Jwagner

2:12	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	1	4	100%
Tenor	10	0	2	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	1	4	100%
Tenor	10	2	4	100%
Soprano I+II	14	4	4	82%
Bass	3	0	4	31%

Marienlieder, Op.22 - 7. Marias Lob - Brahms

Jwagner

0:41	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	2	3	100%
Soprano	10	0	1	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	2	3	100%
Soprano	10	1	4	100%
Tenor	11	1	3	100%
Bass	12	2	3	83%

Brahms - Zigeunerlieder opus 103 - No. 5

Jwagner

1:10	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	33	4	6	100%
	24	7	4	5	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	33	4	6	100%
	24	7	4	5	98%
Alto	12	0	2	5	69%
Bass	9	0	0	5	69%
Soprano	12	0	1	5	69%
Tenor	9	0	1	5	69%

Ave Maria — Brahms

Adriane Cordula Fox

4:08	Est. Play Time
100	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	4	4	96%
Violoncello	21	1	5	4	96%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	4	4	96%
Violoncello	21	1	5	4	96%
2nd Soprano	16	0	5	4	89%
1st Soprano	15	0	5	4	85%
1st Alto	15	0	4	4	79%
2nd Alto	16	0	5	4	78%
2 Horns in F	11	4	1	3	50%
2 Flutes	17	17	5	4	40%
2 Clarinets in B♭	13	12	1	4	20%
Viola	7	0	1	3	10%
1st Violin	9	0	2	3	7%
2nd Violin	9	0	1	4	7%
2 Oboes	7	0	1	3	6%
2 Bassoons	3	0	1	2	2%

Parnassus

Triszt4n

4:27	Est. Play Time
77	Measures
	1,946Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II.	15	2	3	5	92%
Viola	16	4	3	5	90%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II.	15	2	3	5	92%
Viola	16	4	3	5	90%
Violin I.	22	3	4	6	85%
VIOLINCELLO	17	4	2	6	83%
Contrabass	18	7	1	6	70%
Flute 2	20	0	5	8	64%
Flute 1	19	0	6	9	60%
Oboe 2	17	0	5	7	55%
Oboe 1	18	0	5	7	52%
B♭ Clarinet 1	21	0	3	6	49%
Bassoon 2	18	0	5	6	49%
B♭ Clarinet 2	21	0	3	5	47%
Bassoon 1	15	0	4	6	45%
Timpani	7	0	0	4	40%
F Horn 1	12	0	2	7	36%
F Horn 2	12	0	1	7	35%
Tuba	8	0	0	5	27%
Trombone 2	12	0	1	5	26%
B♭ Trumpet 1	13	0	2	6	25%
B♭ Trumpet 2	15	0	3	6	25%
Trombone 1	10	0	1	5	23%
Hárfa	18	3	1	6	15%
	6	1	0	3	8%